Peer‑reviewed articles

• Lusiani, M., Panozzo, F., Santini, A. (2023). The Regional Observatory of performing arts in Veneto Region. A proposal based on the research. Economia della Cultura – Rivista trimestrale dell'Associazione per l'Economia della Cultura, 1/2023, pp. 107–114. doi: 10.1446/107917.

• Santini, A. (2012). Multiplicity – Fragmentation – Simultaneity: Sound‑Space as a Conveyor of Meaning, and Theatrical Roots in Luigi Nono’s Early Spatial Practice. Journal of the Royal Musical Association, 137(1), pp. 71–106. https://www.tandfonline.com/doi/abs/10.1080/02690403.2012.669938

Theses and dissertations

• Santini, A. (2013). The spatial performance of Luigi Nono. PhD thesis, Queen's University Belfast – Sonic Arts Research Centre. https://pure.qub.ac.uk/en/studentTheses/the-spatial-performance-of-luigi-nono

• Santini, A. (2004). Creative Musical Instrument Design: A Report On Experimental Approaches, Unusual Creations And New Concepts In The World Of Musical And Sound Instruments. Middlesex University. https://chrysalis-foundation.org/wp-content/uploads/2019/06/andrea_santini.pdf

Conference papers / proceedings

• Santini, A. (2009). Venusia – Musical Theatre for Actors, Cello, Flute, Electronics and Motion Tracking. Influences and Methodology. In M. Wolf (ed.), Proceedings of Sound, Sight, Space and Play 2009 – Postgraduate Symposium for the Creative Sonic Arts, pp. 100–103. https://www.dmu.ac.uk/documents/technology-documents/research/mtirc/sssp0912santini.pdf

Book chapters / project essays

• Lusiani, M., Panozzo, F., Santini, A. (2025). Cultural observation for cultural governance: Between contemplation and transformation. In R. Rentschler, W. Reid, F. Donelli (eds.), The Routledge Companion to Governance in the Arts World, Routledge, pp. 415–430. doi: 10.4324/9781003316121-29.

• Santini, A. (2014). OSCILLA, a scalable interactive audiovisual environment. In F. Murano (ed.), Light Works. Experimental Projection Mapping, Aracne, Italy, pp. 102–103.

• Santini, A. (2013). OSCILLA – Scalable Interactive Audiovisual Environment. In AA.VV., SAE Alumni Magazine, Issue 02/2013, pp. 106–113

Research reports / essays (online)

• Santini, A. (2023). Una proposta di osservatorio per l'ecosistema delle arti performative in Veneto. Coordinamento scientifico: Fabrizio Panozzo e Maria Lusiani. Aiku – Università Ca’ Foscari Venezia. https://aikucafoscari.it/progetti-aiku/osservatorio-per-lecosistema-delle-arti-performative-in-veneto/

• Panozzo, F. et al. (2023). Distretti culturali evoluti nel territorio di Confindustria Veneto Est. Confindustria Veneto Est. https://palazzogiacomelli.it/distretti-culturali-evoluti/

Catalogue texts & critical writings 

• AA.VV. (2013). This Thisage This age. Catalogue, ApusA – Centro Espositivo Sloveno, Venezia, pp. 120–132.

• Tognon, P. (2012). La classe dell’arte. Silvana Editoriale, Milano, pp. 99–108.

• Tokyo Wonder Site. (2014). Emerging Artist Report. Exhibition catalogue, Tokyo Wonder Site, Tokyo, pp. 56–57.

• Kinetica Museum. (2017). The Thin Veil. Exhibition catalogue, Kinetica Museum, London.

Press and reviews (selected)

• Cason, P. (2015). UBIKteatro a Vicenza. Un viaggio onirico e interattivo. Artribune (online). https://www.artribune.com/report/2015/06/ubikteatro-a-vicenza-un-viaggio-onirico-e-interattivo/