• Interactive 3D printed scale model of the city of Vicenza for the visually impaired  (2024). 

• Interaction, audio programming & sound design: Andrea Santini

• 3d modeling and printing: Shape3d Veneto

• Commission: Comune di Vicenza, Unione Italiana Ciechi e Ipovedenti U.I.C.I.

Multichannel live set based on sounds recored on oil platforms, created specifically for the event 'Oro nero', organised by FACT and Caracol Olol Jackson to raise awareness on the issues arising from the ongoing oil extraction. (2023)

• Live VJ and electronic music set

• Visit this link for the original music release

• Venue: Caracol Olol Jackson Vicenza

• Anaglyph 3D visuals

• Venue: Caracol Olol Jackson Vicenza

• Interactive audio installation (2022). 

• Ceramics: Marianna Anoardi. 

• Interaction & sound design: Andrea Santini

• First prize - Ceramiche Bestiali - Convivium - Appignano, Marche

• A shared virtual museum, showroom and library for Fondazione Zavrel and MAB Home Furniture  (2022)

• Project funded by EU project DIVA Interreg Italia-Slovenia - Pilot projects 

• Concept and Unity development: Andrea Santini

• Link to project page

Sound design for a theatre piece based on Vitaliano Trevisan's original text, adapted for the stage by Valentina Brusaferro, with Matteo Cremon.

• Review on Sipario
• Review on Krapp's Last Post 

bitGARDEN is an audiovisual live set created from the sounds of insects, amphibians and natural environments. 

• Interactive cardboard tablet - the history of paper along the Brenta river (2018)

• Created with recycled cardboard in collaboration with Arbos

• Commission: Regione del Veneto, Fondazione Università Ca' Foscari e ARBOS -  project "MIMESIS. Trasmettere immagini artistiche di impresa" 

Soundtrack for the videomapping installation 'Trilogy' - based on 'trilogy' a piece By Lineasette Ceramiche designed by Giovanni Barbieri. All sounds materials are generated from recordings made from Lineasette grès porcelain elements. (2018)

• Interactive projection mapping & sound installation on Lineasette modular Grès Porcelain  (2018)

• Commission: Regione del Veneto, Fondazione Università Ca' Foscari & Lineasette (2018) - project "MIMESIS. Trasmettere immagini artistiche di impresa" 

• Collaborative videomapping project With Fabio Ferrando & Marina Menti  (2018)

• Commission: Jamrock Festival, Vicenza

Patrizia Laquidara 'C'è qui qualcosa che ti riguarda' - Live at CSC febbraio 2019 

Live electronics and keys for live tour of the album, original arrangements by Alfonso Santimone

Vocal soundscape obtained from fragments of Lucretius' De Rerum Natura (2016) 

• Videoinstallation (2016)

• Created to commemorate the 500th anniversary of the renowned Flemish painter Hieronymus Bosch, the video installation 'The Garden of Delights' by Francesca Sarah Toich & Andrea Santini (UBIK) offers an exploratory journey inside the famous triptych through a life-sized video projection of the painting, allowing discovery of this masterpiece with its countless and wondrous details.

• Voiced by: Francesca Sarah Toich, Gianni de Luigi, Livio Pacella, Dragana Milosevic.

• Sound design and music by Andrea Santini

• Including excerpts from Baroque-style original compositions by Pierpaolo Ciurlia

• Digital photography, body mapping - (2016)

• The human body is used as a screen that transforms images, images are used clothes of light

• Source images: Aubrey Beardsley

• Digital photography, body mapping  

• Project developed in cooperation with the Academy of Fine Arts of Venice. Some of the images used were taken from texts owned by the historic Archive of the Academy. 

• Source image: Virgin of Melun, Jean Fouquet, 1450.

• Stereoscopic 3D video installation, body-mapping  (2015)

• Project developed in residency at the Academy of Fine Arts of Venice. Some of the images used were taken from texts owned by the historic Archive of the Academy. 

• Source images: 

  • The Garden of Earthly Delights Hieronymus Bosch, 1500-1505

  • Four Books on Human Proportion Albrecht Dürer, 1528.

  • ‘Nude’ Giorgione, 1508.

  • Virgin of Melun, Jean Fouquet, 1450.

• Digital photography, body mapping - (2016)

• The human body is used as a screen that transforms images, images are used clothes of light

• Source images: Aubrey Beardsley

• Digital photography, body mapping  (2015)

• Project developed in cooperation with the Academy of Fine Arts of Venice. Some of the images used were taken from texts owned by the historic Archive of the Academy. 

• Source image: Virgin of Melun, Jean Fouquet, 1450.

• Interactive installation (2015)

• con Francesca Sarah Toich, Lele Piovene, Dragana Milosevic

• Direzione tecnica e scenografie virtuali: Andrea Santini

• Assistenza tecnica e disegno luci:Andrea Fincato, Riccardo Pianalto

• Regia: UBIKteatro

• Maschere: Famiglia Sartori

• con Francesca Sarah Toich, Lele Piovene, Dragana Milosevic

• Direzione tecnica e scenografie virtuali: Andrea Santini

• Assistenza tecnica e disegno luci:Andrea Fincato, Riccardo Pianalto

• Regia: Walter Valeri / UBIKteatro

• Aiuto regia: Riccardo Pianalto

• Maschere: Famiglia Sartori

• Miniature holographic video mapping on laboratory test tubes (2014)

• A series of clones of female bodies and plants materialize and transform 'in vitro,' displaying various relationships with space and the viewer.

• con Francesca Sarah Toich & Xena Zupanic

• Direzione tecnica. live electronics, spazializzazione e scenografie virtuali: Andrea Santini

• Scalable Interactive Audiovisual Environment (2009-2015) 

• OSCILLA is an interactive audiovisual installation that explores harmonic structures and their visualisation. A projected scalable interface allows for context-specific adaptability and for a variety of intuitive physical interaction paradigms whereby the positions and movements of objects or people, optically tracked within a given area, determine the volume and pitch of various sine-wave oscillators.

OSCILLA is an interactive audiovisual installation that explores harmonic structures and their visualisation. A projected scalable interface allows for context-specific adaptability and for a variety of intuitive physical interaction paradigms whereby the positions and movements of objects or people, optically tracked within a given area, determine the volume and pitch of various sine-wave oscillators.

OSCILLA is an interactive audiovisual installation that explores harmonic structures and their visualisation. A projected scalable interface allows for context-specific adaptability and for a variety of intuitive physical interaction paradigms whereby the positions and movements of objects or people, optically tracked within a given area, determine the volume and pitch of various sine-wave oscillators.

Spatial vocal soundscape created from readings of Dante Alighieri’s Inferno by actress Francesca Sarah Toich. (2013)

A musical theatre project with live electronics inspired by and dedicated to the city of Venice and its soundscape. (2009)

Estratti da una serie di videoinstallazioni ispirate al pensierO di Giordano Bruno.

London based melodic funk & latin grooves project (2007)